تشكيل البنية الإيقاعية في شعر "معين بسيسو"

Abstract

This study which is titled: “Formation of the Rhythmic Structure in the Poetry of Maen Besisor”, consists of introduction, presentation and conclusion.

The introduction addresses the reasons why the reserarcher has chosen  “Formation of Language Structure” as subject of study, and the objectives of the intended methology of the study.

The study tackles the subjects of syntax, semantics, symbols, linguistic levels, pronouns, repetition and intertextuality and other sbjects related to the structure of the language.    

On the intertextuality analysis level, the poetic text was found to be an environment, open to the past and moving towards the future. It is fruitful seed which determines the framework of intellectual presence and the implications created by the transformational semantics between the semiology of the absent text and the consequent structure of the present one.

The study showed that Dhabour is distinguished at the level of linguistic composition by the variety of the typographical formations for printed writing through employing bi-black-white, cutting words and coloring text with punctuation marks.

The poet also succeeded in employing the semantics of linguistic repetition at the level of words and phrases in the production of coherent structures saturated with circles of rhetoric and rhythm.

As regards pronouns in the speech of Dahbour, the most prominent decline is the emergence of ego self to the ego supreme group. The transformations of phonetic constructions, the role of phonetic lengthening in the formation of semantics, the spatial and temporal sequences of the phonetic lengthening in the texts of the poet were combined with the process of  moral context.

The conclusion has summarized the main findings of the study and recommendations.